Canon EF 8-15mm Fisheye L series lens

 

Canon EF 8-15mm f/4L Fisheye USM Ultra-Wide Zoom Lens for Canon EOS SLR Cameras

For filmmakers and photographers who want the look and feel only possible with extreme wide angle and fisheye photography, the new Canon EF 8-15mm f/4L Fisheye USM is a world-class choice.

Adobe Photoshop CS5

 

Adobe Photoshop Extended CS5

Adobe Photoshop CS5 Extended software helps you create the ultimate images for print, the web, and video. Enjoy all the state-of-the-art editing, compositing, and painting capabilities in industry-standard Photoshop CS5, and experience fast performance thanks to cross-platform 64-bit support. Also create 3D extrusions for logos, artwork, and motion graphics; edit 3D objects with advanced tools; and create and enhance motion-based content.

Composing a Photograph

Composing a photograph is like an author writing a paragraph; selecting the right words that conveys a message utilizing as little space as possible to get the point across. A photograph is to the photographer; what a paragraph is to an author, even though it just a photograph, there is a message there. They say a picture is worth a thousand words; but a well composed photograph will say as much, just without so many words. An experienced photographer will use that photograph like a writer using a paragraph getting the message across in a constructive amount of space.

I always shoot my photographs with one simple rule in mind; in photography there are no rules. When you start finding ways to apply rules to your photographs; you'll always have one shot that those rules won't apply and you limit your creativity. Some photographers use the rule of thirds when composing a photograph, but to me that's more of a mental tool than a rule. The idea of using thirds is a good way of arranging things in your photographs to give clarity to the subject and keep your image less convoluted. Just like a writer; use your subject as the main focal point of your photograph and it will tell the story you're trying to write with your camera.

Even though I dismiss the idea that there are rules of photography, I do rely on elements of photography to compose my photographs. The first element I choose to look at is depth of field. This is how people will interpret your view of the subject in your shot. With depth of field you can bring one aspect of your photograph in to sharp focus keeping less important things slightly out of focus. This is also known as selective focusing; using a larger aperture to produce a shallow depth of field. You can use this element to put more emphasis on the subject and less attention on the subject's environment. Or if the purpose of your subject is to enhance the environment in your shot you may want to use a narrow depth of field bringing everything into focus.

Another element that I rely heavily up on is lighting. There are two main light sources that exist in photography. One is ambient lighting; light that naturally exist without using any flash units or studio lighting supplied by the photographer. And number two, studio lights and flash units supplied by the photographer. When using ambient lighting; shooting stationary subjects like landscapes, you can control the effect of your photograph by using the shutter speed on your camera. By doing this you can get some fantastic night shots. I'm not into studio photography as much; I just don't think it has much of an artistic value to suit me. And I only use flash units if it's absolutely necessary.

When composing a photograph there are a few more tips to consider. Don't shoot your subject flat on center with the camera. This is a typical shot of a person standing straight up and down that is right in the center of the shot. This is the worst shot ever. Nothing wrong with shooting center; but have your subject bend a little bit one way or the other, or kind of leaning back or a little bit forward. Compose the shot so you have some of their side showing as well as the front. Center shots can be spectacular if your model is positioned right. How you compose your photographs will be how your picture is going to tell a story. So photograph your subject in a way to make the story interesting.

Article by Alan Slagle

All about photographic Composition

Composing Images; learn about how different things can effect photographic composition, the traditional ways aren't always the best way, look to see if there isn't more than one way to crop an image. http://www.mccordall.com/photography

Understanding Exposure

 

Understanding Exposure

With more than 350,000 copies sold, Understanding Exposure has demystified the complex concepts of exposure for countless photo-  graphers. Now updated with current technologies, more than one hundred new images, and an all-new chapter, this new edition will inspire you more than ever to free yourself from "auto" and create the pictures you truly want.

Canon EF 50mm f/1.2 L USM Lens for Canon Digital SLR Cameras

 

Canon EF 50mm f/1.2 L USM Lens for Canon Digital SLR Cameras

The Canon EF 50mm f/1.2L USM lens is a peerless standard lens for Canon digital SLR cameras. The lens is suitable for any shooting situation, with a lens coating and construction type that are optimized to minimize the ghosting and flare that frequently occurs when lenses are used with digital cameras.

Image of women taken with Canon 50mm L lens

The Moment It Clicks

 

The Moment It Clicks: Photography Secrets from One of the World's Top Shooters

THE FIRST BOOK WITH ONE FOOT ON THE COFFEE TABLE, AND ONE FOOT IN THE CLASSROOM

Joe McNally, one of the world's top pro digital photographers, whose celebrated work has graced the pages of Sports Illustrated, Time, and National Geographic (to name a few), breaks new ground by doing something no photography book has ever done—blending the rich, stunning images and elegant layout of a coffee-table book with the invaluable training, no-nonsense insights, and photography secrets usually found only in those rare, best-of-breed educational books.

Speedliters Handbook

 

Speedliter's Handbook: Learning to Craft Light with Canon Speedlites

Getting your Canon Speedlite to produce the light you need can be a real challenge. For those new to flash photography—or for anyone who has previously given up out of frustration—Speedliter's Handbook is a revelation. Photographer Syl Arena takes you on a journey that begins with an exploration of light and color, moves through a comprehensive discussion of the Canon Speedlite family and all of the accessories and equipment available to the Speedliter, then settles down to crafting great light in one photo shoot after another. Whether you want to create a classical portrait, shoot an event, or simply add a little fill light to a product shot, Speedliter's Handbook shows you how.